Just recently someone mentioned to me that the Today Show (Channel 9) did a story on mothers. They referred to 3 categories of "Mummies":
Yummy Mummies
Sportish but stylish Mummies and what they referred to as
Slummy Mummies
and continuously referred to "Slummy Mummy" in their show. Apparently yummy mummy is meant to be favourable and slummy mummy is not meant to be so.
Now I think this has overlooked many diffferent types of mummies. The television show has neglected to mention many different types of mummies, so I list the following:
crummy mummy (hopeless mummy)
dummy mummy (stupid mummy)
chummy mummy (mummy who's also your best friend)
tummy mummy (mum who has a paunch, probably hasn't lost fat from having three kids)
glummy mummy (mummy who's always totally depressed and thinks the world is about to end)
bummy mummy (mummy with a big rear end)
hummy mummy (mummy who hums classic rock while she does the dishes)
summy mummy (mum who's a whiz at arithmetic, usually good at household budgets, corrects the checkout chicks a lot and helps you with your maths homework)
gummy mummy (mummy whose teeth fell out due to eating too many lollies in her youth)
scummy mummy (mummy who doesn't bathe too often)
mummy mummy (embalmed mother)
Showing posts with label tv. Show all posts
Showing posts with label tv. Show all posts
Thursday, 18 March 2010
Thursday, 19 November 2009
The Making of A Legend: Gone With the Wind
One of the great things about being unemployed is that you can sit back and watch TV shows you wouldn't be able to watch if you were at work. (I can't watch TV much at night as my Dad dominates the telly with his endless reruns of Law and Order.)
Today I saw a show I'd taped, The Making of a Legend: Gone With the Wind. I'm an official Gone With the Wind junkie (see the link on this site to the GWTW Forever site).
I have the DVD of the feature film, I just hadn't realised how much had gone into making it.
I knew, of course, that GWTW was the only book Margaret Mitchell wrote. Scarlett was initially called Pansy, and the book was not initially written for publication. Then a publisher read it and was interested, but didn't like the name Pansy, so Margaret Mitchell agreed to change it to Scarlett.
And then David O. Selznick secured the rights for $50,000 to produce GWTW.
I watched the show as they showed the search for Scarlett. It seemed they had an easier time deciding on Rhett Butler - the public demanded they choose Clark Gable. The only problem was that Gable was with MGM and Selznick wanted to do the project alone. It wasn't for ages and after lots of money and negotiations that he made a deal with MGM - they would let him 'use' Gable, and they'd also lend some money to fund the project, so long as they got half the profits of GWTW for the next 7 years.
Then it turned out that Gable didn't particularly like the deal, as he didn't want to play Rhett, so they 'sweetened' the deal for him by giving him ... $50,000 so he could pay off his wife and get rid of her and a weekend off so he could marry his new girlfriend (an interest payoff!)
Anyhow, I watched a lot of the auditions with the different Scarletts and Ashleys. After seeing what Vivien Leigh and Leslie Howard can do - especially Vivien Leigh - watching the different screen tests is like watching a series of Australian Idol auditions, you just feel how wrong they are and you want a nasty judge to pop up and give them a gong and tell them they're absolute crap.
It was amazing to see how much work went into creating - or destroying - some of those sets. They decided one way to make a set was to burn down an old set and then rebuild. An idea they had was to burn down the old set and then film it as the burning of Atlanta. At the time they hadn't got Leigh and Gable working yet so a stunt double is what you see when you see the horse and carriage driving through burning Atlanta at the time. And they really did just burn down a whole set, film it, and then rebuild a set.
Then some sets were only partially built - for instance some of the big houses were built without roofs - it was less expensive - then an art director comes in later and "draws in" different style roofs later to make the different places.
And the scene in Atlanta with the soldiers all lying wounded ... well while they called in many extras to lie there as wounded men, but they didn't have enough so they put in some dummies as well and instructed extras how they could pull a string on the dummy so the dummy could move a little so it looked alive. (Apparently Margaret Mitchell's husband said when he saw that scene that if they'd had that many soldiers, they would have won the war!) I know, I know, I guess they cheated too because those extras, they only pretended to be wounded. Many of them weren't really shot or anything at all. They only pretended to be shot. And int he scene where Dr Meade is supposed to amputate the leg - I think he doesn't amputate it at all. It's all faked!
So much work went into the recreation, it was amazing, especially when you consider there was not the advantage of the special effects that we have today.
I watched in amazement as every detail of dress was attended to ... the only thing I think I could compare it to was watching This is It when I watched the perfectionism that went in to making the Michael Jackson tour show. How many people actually put the time and effort and research into their shows any more. It's immense and it's amazing.
By the way I still love Scarlett's green barbecue dress - it must be her most famous - but now I've really taken a fancy to that little light blue jacket and white dress she wears to the store when she's caught with Ashley.
Today I saw a show I'd taped, The Making of a Legend: Gone With the Wind. I'm an official Gone With the Wind junkie (see the link on this site to the GWTW Forever site).
I have the DVD of the feature film, I just hadn't realised how much had gone into making it.
I knew, of course, that GWTW was the only book Margaret Mitchell wrote. Scarlett was initially called Pansy, and the book was not initially written for publication. Then a publisher read it and was interested, but didn't like the name Pansy, so Margaret Mitchell agreed to change it to Scarlett.
And then David O. Selznick secured the rights for $50,000 to produce GWTW.
I watched the show as they showed the search for Scarlett. It seemed they had an easier time deciding on Rhett Butler - the public demanded they choose Clark Gable. The only problem was that Gable was with MGM and Selznick wanted to do the project alone. It wasn't for ages and after lots of money and negotiations that he made a deal with MGM - they would let him 'use' Gable, and they'd also lend some money to fund the project, so long as they got half the profits of GWTW for the next 7 years.
Then it turned out that Gable didn't particularly like the deal, as he didn't want to play Rhett, so they 'sweetened' the deal for him by giving him ... $50,000 so he could pay off his wife and get rid of her and a weekend off so he could marry his new girlfriend (an interest payoff!)
Anyhow, I watched a lot of the auditions with the different Scarletts and Ashleys. After seeing what Vivien Leigh and Leslie Howard can do - especially Vivien Leigh - watching the different screen tests is like watching a series of Australian Idol auditions, you just feel how wrong they are and you want a nasty judge to pop up and give them a gong and tell them they're absolute crap.
It was amazing to see how much work went into creating - or destroying - some of those sets. They decided one way to make a set was to burn down an old set and then rebuild. An idea they had was to burn down the old set and then film it as the burning of Atlanta. At the time they hadn't got Leigh and Gable working yet so a stunt double is what you see when you see the horse and carriage driving through burning Atlanta at the time. And they really did just burn down a whole set, film it, and then rebuild a set.
Then some sets were only partially built - for instance some of the big houses were built without roofs - it was less expensive - then an art director comes in later and "draws in" different style roofs later to make the different places.
And the scene in Atlanta with the soldiers all lying wounded ... well while they called in many extras to lie there as wounded men, but they didn't have enough so they put in some dummies as well and instructed extras how they could pull a string on the dummy so the dummy could move a little so it looked alive. (Apparently Margaret Mitchell's husband said when he saw that scene that if they'd had that many soldiers, they would have won the war!) I know, I know, I guess they cheated too because those extras, they only pretended to be wounded. Many of them weren't really shot or anything at all. They only pretended to be shot. And int he scene where Dr Meade is supposed to amputate the leg - I think he doesn't amputate it at all. It's all faked!
So much work went into the recreation, it was amazing, especially when you consider there was not the advantage of the special effects that we have today.
I watched in amazement as every detail of dress was attended to ... the only thing I think I could compare it to was watching This is It when I watched the perfectionism that went in to making the Michael Jackson tour show. How many people actually put the time and effort and research into their shows any more. It's immense and it's amazing.
By the way I still love Scarlett's green barbecue dress - it must be her most famous - but now I've really taken a fancy to that little light blue jacket and white dress she wears to the store when she's caught with Ashley.
Labels:
books,
celebrities,
films,
gone with the wind,
neurosis,
review,
scribble,
trivia,
tv
Friday, 9 October 2009
Blackface comedy. I hope I am not offending anyone here. If so, apologies in advance.
Recently, on a Hey Hey it's Saturday sketch, a group calling themselves the Jackson Jive got verbally stoned by Harry Connick Jr for being racist because they used blackface comedy. The host Daryl Somers, apologised for any offence caused, and I too, would like to apologise for any offence I may cause in discussing this obviously sensitive issue.
This meant in the sketch, five of them turned up using black face paint (representing themselves as "Afro-Americans", also known by some people as "blacks", I hope that's not too racist. Another appeared wearing white makeup, satirising Michael Jackson who was an Afro-American who bleached his skin so it looked more of the pallour of those who are "Anglo-Saxon" or "Caucasian" or otherwise known as "white", hopefully that isn't offensive. Michael Jackson also recently "passed away", that is also otherwise known as "died". I hope that isn't too offensive either.
Now, I'm not "black" nor "white", not that it would matter if I was either. So I guess I don't really understand the fuss about blackface comedy, and whether it is the blackfacedness or the comedy bit that is really tasteless, or is it the combination?
Is it just plain offensive to make fun of blacks, or Afro-Americans, because it's racist? Because there goes the comedy material for about a third of those big budget Hollywood movies that are in production right this second.
Or is it smearing black face paint on that's just disgusting? Personally I don't like the look myself, I've usually thought the shoe grease should stay on the shoe though I haven't always been that successful. But what about all those disgusting, non-really-black actors who were trying to play Othello? Hung, drawn and quartered, ought they be?
A clue might lie in this where a guy says that blacks do not have pitch black skin, and that is why they are offended by that sketch. It is an interesting objection - one of the devices used by comedy is exaggeration - which is why clowns and mimes trying to hide behind a blank face use white makeup and exaggerated red lipstick which doesn't look anything like a real white human being. Hold the golliwogs!
To be perfectly accurate, most blacks aren't black, they're more browny, most whites aren't white either, they're kinda pinky-creamy-light-brown and I'll be damned if yellow skinned people look that yellow to me.
And anyway, why stop at racism? What I want to know is if black people can get on their high horses about blackface comedy, why should women stand for this crap either? Some idiots dress up INACCURATELY and EXAGGERATEDLY trying to imitate a DOWNTRODDEN group in the name of humour ...
I really don't know why we put up with Barry Humphries, Dustin Hoffman, Robin Williams, or John Travolta at all, who've all exploited women and dressed up in drag and put on caked up makeup in stupid looking outfits that look nothing like what I'd wear - I don't know anyone who acts or looks like Dame Edna Everage - just for satire. It's insulting, it's sexist, and I think I give them a zero. What's more, they degrade women's plight further by going on to earn a fortune out of their huge man-in-women's boobs act than many women who have real or at least only slightly modified by a very discreet surgeon's boobs, make because their own boobs have hit the glass ceiling!
I think all women should stand on their high heels, jump on top of their 'Tootsie' and 'Mrs Doubtfire' DVDs and make it clear that if Mr Harry Connick Jr can get the weight of America behind him, we should at least get a portion of it too!
Unfortunately, I feel that no matter how much I jump up and down, the race issue will always propel American s far more than the gender one. After all, they voted in Obama, and not Hillary Clinton.
This meant in the sketch, five of them turned up using black face paint (representing themselves as "Afro-Americans", also known by some people as "blacks", I hope that's not too racist. Another appeared wearing white makeup, satirising Michael Jackson who was an Afro-American who bleached his skin so it looked more of the pallour of those who are "Anglo-Saxon" or "Caucasian" or otherwise known as "white", hopefully that isn't offensive. Michael Jackson also recently "passed away", that is also otherwise known as "died". I hope that isn't too offensive either.
Now, I'm not "black" nor "white", not that it would matter if I was either. So I guess I don't really understand the fuss about blackface comedy, and whether it is the blackfacedness or the comedy bit that is really tasteless, or is it the combination?
Is it just plain offensive to make fun of blacks, or Afro-Americans, because it's racist? Because there goes the comedy material for about a third of those big budget Hollywood movies that are in production right this second.
Or is it smearing black face paint on that's just disgusting? Personally I don't like the look myself, I've usually thought the shoe grease should stay on the shoe though I haven't always been that successful. But what about all those disgusting, non-really-black actors who were trying to play Othello? Hung, drawn and quartered, ought they be?
A clue might lie in this where a guy says that blacks do not have pitch black skin, and that is why they are offended by that sketch. It is an interesting objection - one of the devices used by comedy is exaggeration - which is why clowns and mimes trying to hide behind a blank face use white makeup and exaggerated red lipstick which doesn't look anything like a real white human being. Hold the golliwogs!
To be perfectly accurate, most blacks aren't black, they're more browny, most whites aren't white either, they're kinda pinky-creamy-light-brown and I'll be damned if yellow skinned people look that yellow to me.
And anyway, why stop at racism? What I want to know is if black people can get on their high horses about blackface comedy, why should women stand for this crap either? Some idiots dress up INACCURATELY and EXAGGERATEDLY trying to imitate a DOWNTRODDEN group in the name of humour ...
I really don't know why we put up with Barry Humphries, Dustin Hoffman, Robin Williams, or John Travolta at all, who've all exploited women and dressed up in drag and put on caked up makeup in stupid looking outfits that look nothing like what I'd wear - I don't know anyone who acts or looks like Dame Edna Everage - just for satire. It's insulting, it's sexist, and I think I give them a zero. What's more, they degrade women's plight further by going on to earn a fortune out of their huge man-in-women's boobs act than many women who have real or at least only slightly modified by a very discreet surgeon's boobs, make because their own boobs have hit the glass ceiling!
I think all women should stand on their high heels, jump on top of their 'Tootsie' and 'Mrs Doubtfire' DVDs and make it clear that if Mr Harry Connick Jr can get the weight of America behind him, we should at least get a portion of it too!
Unfortunately, I feel that no matter how much I jump up and down, the race issue will always propel American s far more than the gender one. After all, they voted in Obama, and not Hillary Clinton.
Labels:
celebrities,
current affairs,
films,
multiculturalism,
oh dear,
politics,
reflection,
tv
Friday, 28 August 2009
Is Humiliation the Answer?
A guy is wearing a humiliating sign because he got caught cheating. That's his punishment. He's walking around wearing a huge sign saying "I CHEATED THIS IS MY PUNISHMENT".
Now, there's some speculation this could be a stunt, for TV or something, but then some blog commenters went on to say things like "humiliation isn't the answer, she just wants revenge, but it won't fix their marriage, it's stupid, he'll hate her for it and do it again" blah blah. While others said "Good on her."
Anyhow, the whole sign thing isn't new. I've seen this kind of punishment before and I remember a spoof of it done in a tv show called Curb Your Enthusiasm where Larry David is accused of stealing a fork from a restaurant, and is sentenced to walk around wearing a big sign saying "I steal forks from restaurants" or something similar.
But if the whole humiliation thing wouldn't work for a relationship, does it mean it doesn't work at all or is a relationship just a special case?
I mean, if the reasoning given by some is the case, would it be fair to say that revenge is never the answer, and Larry would become an embittered fork-stealer, after he wore the sign he would not learn his lesson but hate society for making him wear the sign and go out and steal forks for the hell of it, just to get his revenge? He would haunt restaurants and take a fork, slip it into his bag and say, "SCORE ONE FOR ME, that's for making me wear that sign, SUCK ON THAT you AMERICANS! Swallow that for every one of you who supports that stupid law that made me where that sign! I've got my FORK now! And next time ... I might up it to a spoooooon! Or a splade! I'll be the cutlery king and my palace shall rock with my silverware in my vengeance!"
Or perhaps he would see a fork and go crazy. He would see it, remember the sign and how the fork symbolised the sign and how it made him feel and he would go dizzy, and you'd have to call the paramedics.
Same could be said of this man and his cheating, except it wouldn't be forks. Well, maybe it was forks. I won't presume to know too much about his sex life.
I don't know whether vengeance and humiliation is an effective tool in rehabilitating a person, or fixing behaviour. But as some pointed out .. it probably makes us feel good for a while, and for some people that's all that matters.
Now, there's some speculation this could be a stunt, for TV or something, but then some blog commenters went on to say things like "humiliation isn't the answer, she just wants revenge, but it won't fix their marriage, it's stupid, he'll hate her for it and do it again" blah blah. While others said "Good on her."
Anyhow, the whole sign thing isn't new. I've seen this kind of punishment before and I remember a spoof of it done in a tv show called Curb Your Enthusiasm where Larry David is accused of stealing a fork from a restaurant, and is sentenced to walk around wearing a big sign saying "I steal forks from restaurants" or something similar.
But if the whole humiliation thing wouldn't work for a relationship, does it mean it doesn't work at all or is a relationship just a special case?
I mean, if the reasoning given by some is the case, would it be fair to say that revenge is never the answer, and Larry would become an embittered fork-stealer, after he wore the sign he would not learn his lesson but hate society for making him wear the sign and go out and steal forks for the hell of it, just to get his revenge? He would haunt restaurants and take a fork, slip it into his bag and say, "SCORE ONE FOR ME, that's for making me wear that sign, SUCK ON THAT you AMERICANS! Swallow that for every one of you who supports that stupid law that made me where that sign! I've got my FORK now! And next time ... I might up it to a spoooooon! Or a splade! I'll be the cutlery king and my palace shall rock with my silverware in my vengeance!"
Or perhaps he would see a fork and go crazy. He would see it, remember the sign and how the fork symbolised the sign and how it made him feel and he would go dizzy, and you'd have to call the paramedics.
Same could be said of this man and his cheating, except it wouldn't be forks. Well, maybe it was forks. I won't presume to know too much about his sex life.
I don't know whether vengeance and humiliation is an effective tool in rehabilitating a person, or fixing behaviour. But as some pointed out .. it probably makes us feel good for a while, and for some people that's all that matters.
Labels:
current affairs,
huh?,
law + order,
love + relationships,
oh dear,
tv
Monday, 17 August 2009
Laughter in a Can
I am ok with canned condensed milk, canned peaches, canned tomatoes, canned soup. What is really getting to me is canned laughter. I avoided it at the supermarket last week even though it was on a three for two special. Just didn't want those giggles grinning up at me on my shelf.
I read on a noticeboard some guy saying that he didn't really like the canned laughter on a show, but then he didn't find shows without a laugh track funny. Now, I'm not sure whether that meant that the laugh track made them funny or whether he had looked around at the shows on offer without laugh tracks and none of them had been funny so far to him.
Anyhow, I'm generally not a laugh track person, and I'm really going off them. There have been some cool comedies with laugh tracks, and they were in vogue at certain periods so some of those older funny comedies really worked. It seems that actors really actually knew how to work with the laugh track then and didn't look like they were hanging around waiting for the joke. I watched a lot of The Golden Girls last year, and Fawlty Towers, which always make me life, and the laughter didn't intrude but seemed to be scripted and acted in beat with the track. Seinfeld also works well with the laughter from the audience.
On the other hand, I really prefer most comedies now that let you laugh when you want to and don't cue when to laugh. Like The Simpsons and Futurama, Scrubs and The Office and Curb Your Enthusiasm.
I was introduced to an American sitcom recently called The Big Bang Theory, and it must be voted having the worst laugh track ever. I don't particularly like this show but it might be more palatable if it didn't have such an intrusive track and it's made me hate canned laughter even more. Some say it's studio audience and they are just laughing themselves and it's just because the show is hilarious, if so, I say the audience is being tickled or has the worst taste ever.
That, or there is something going on behind the scenes that we don't know about. Maybe they are getting to watch Seinfeld.
Some people will say I just don't get the geeky humour of The Big Bang Theory. Fair enough. Everyone has their taste.
But really, the show will open and there are two guys sitting in a cafe and one will say something like, "Have you seen my microscope?" or "Now, there's this idea about time travel ..." or something similar and right after that one line which is delivered in a very ordinary way, the whole audience will go hysterical and crack up and the laughter will go for ages. Am I missing something? What was so darned witty about that?
Someone told me that the canned humour makes you want to laugh, but if someone keeps laughing hysterically at boring and unfunny bits in a piece, it makes you irritated and less likely to laugh at the actually funny bits. Well, that's what it does for me.
As for the rest of The Big Bang Theory, it has quite a following, but I'm not that into it. The premise is a couple of very stereotypical nerds who live across the hall from a non-nerdy girl and the nerds don't do very well socially. There's a lot of geek humour, and people go on about how the geek humour is so great, but it's not very clever, in that it's geek humour aimed at making fun of geeks to people who aren't geeks - which isn't very innovative. There are a few jokes that involve a bit of science but the main ones revolve around many things that the average non-geek knows about, and also enjoys making fun of geeks for - basic science, jokes about time travel, Dungeons and Dragons and Star Trek and stuff. I dropped all science studies in 11th grade and I get it.
They also need to lose the little segue which involoves seeing the Earth from outerspace with a funny whizzing sound - it interrupts continuity and makes it look like a skit show and just looks like they are trying to push more and more "Hey, this is a scence-y geek show!" WE KNOW!
It also uses all the basic geek stereotypes - geeks dress badly, talk in funny voices, are socially awkward and have trouble getting laid. But they desperately would love to. It's a little bit like the movie Weird Science - the geek sees the gorgeous girl, his hormones go crazy but he just can't figure out how a normal guy manages to get the girl. Oh to be the normal guy!
It's a pity from my point of view that no one ever paints a geek as either quite able to use his own geeky skills to get what he wants - even socially, or not getting a girl but not giving a shit. Damn you all, why do I care about women? I have my hobby telescope.
Of course that wouldn't be that funny to anyone to actually have a well-adjusted geek now would it - especially a well-adjusted geek and some socially inept jocks?
Now, there's this theory about canned laughter ...
HA HA HA HA HA HA HA HA HA HA HA HA !
I read on a noticeboard some guy saying that he didn't really like the canned laughter on a show, but then he didn't find shows without a laugh track funny. Now, I'm not sure whether that meant that the laugh track made them funny or whether he had looked around at the shows on offer without laugh tracks and none of them had been funny so far to him.
Anyhow, I'm generally not a laugh track person, and I'm really going off them. There have been some cool comedies with laugh tracks, and they were in vogue at certain periods so some of those older funny comedies really worked. It seems that actors really actually knew how to work with the laugh track then and didn't look like they were hanging around waiting for the joke. I watched a lot of The Golden Girls last year, and Fawlty Towers, which always make me life, and the laughter didn't intrude but seemed to be scripted and acted in beat with the track. Seinfeld also works well with the laughter from the audience.
On the other hand, I really prefer most comedies now that let you laugh when you want to and don't cue when to laugh. Like The Simpsons and Futurama, Scrubs and The Office and Curb Your Enthusiasm.
I was introduced to an American sitcom recently called The Big Bang Theory, and it must be voted having the worst laugh track ever. I don't particularly like this show but it might be more palatable if it didn't have such an intrusive track and it's made me hate canned laughter even more. Some say it's studio audience and they are just laughing themselves and it's just because the show is hilarious, if so, I say the audience is being tickled or has the worst taste ever.
That, or there is something going on behind the scenes that we don't know about. Maybe they are getting to watch Seinfeld.
Some people will say I just don't get the geeky humour of The Big Bang Theory. Fair enough. Everyone has their taste.
But really, the show will open and there are two guys sitting in a cafe and one will say something like, "Have you seen my microscope?" or "Now, there's this idea about time travel ..." or something similar and right after that one line which is delivered in a very ordinary way, the whole audience will go hysterical and crack up and the laughter will go for ages. Am I missing something? What was so darned witty about that?
Someone told me that the canned humour makes you want to laugh, but if someone keeps laughing hysterically at boring and unfunny bits in a piece, it makes you irritated and less likely to laugh at the actually funny bits. Well, that's what it does for me.
As for the rest of The Big Bang Theory, it has quite a following, but I'm not that into it. The premise is a couple of very stereotypical nerds who live across the hall from a non-nerdy girl and the nerds don't do very well socially. There's a lot of geek humour, and people go on about how the geek humour is so great, but it's not very clever, in that it's geek humour aimed at making fun of geeks to people who aren't geeks - which isn't very innovative. There are a few jokes that involve a bit of science but the main ones revolve around many things that the average non-geek knows about, and also enjoys making fun of geeks for - basic science, jokes about time travel, Dungeons and Dragons and Star Trek and stuff. I dropped all science studies in 11th grade and I get it.
They also need to lose the little segue which involoves seeing the Earth from outerspace with a funny whizzing sound - it interrupts continuity and makes it look like a skit show and just looks like they are trying to push more and more "Hey, this is a scence-y geek show!" WE KNOW!
It also uses all the basic geek stereotypes - geeks dress badly, talk in funny voices, are socially awkward and have trouble getting laid. But they desperately would love to. It's a little bit like the movie Weird Science - the geek sees the gorgeous girl, his hormones go crazy but he just can't figure out how a normal guy manages to get the girl. Oh to be the normal guy!
It's a pity from my point of view that no one ever paints a geek as either quite able to use his own geeky skills to get what he wants - even socially, or not getting a girl but not giving a shit. Damn you all, why do I care about women? I have my hobby telescope.
Of course that wouldn't be that funny to anyone to actually have a well-adjusted geek now would it - especially a well-adjusted geek and some socially inept jocks?
Now, there's this theory about canned laughter ...
HA HA HA HA HA HA HA HA HA HA HA HA !
Sunday, 16 August 2009
Accidentally turning your Child into a Question Time Monster
Sue Dunlevy wrote this article in the Daily Tele about the difficult issue facing parents on the issue of teen drinking. And I'm not talking about my precious orange juice either, which seems not to be nearly as controversial as I thought it was.
Parents didn't always want to let their kids drink alcohol, preferring them to stay on the wholesome sugar-not-alcohol infused options as long as possible. At least it just kept you up all night watching cartoons and dancing rather than spewing in the toilet. You got fat rather than dizzy on overdoses of juice, Coca Cola, and really big home made chocolate milk shakes.
Anyhow, keeping them off the juice - I mean the alcohol, which for some reason is often nicknamed juice - for as long as possible, was desirable to many, but it also meant possibly getting put down by your kids.
Ms Dunlevy said that none wanted to experience the withering put down Frances Abbott gave her father, Tony Abbott:
“What would you know, you’re a lame, gay, churchie loser,” Frances Abbott told her Dad when he offered her some advice.
"Clearly she is a young woman who has learnt her parental handling skills from watching Question Time." - wrote Ms Dunlevy
There, I think, Ms Dunlevy has a good point. What the heck are pollies thinking at Question Time - except maybe a bit of nostalgia from school years when they got to call others name and brawl a lot. "Mr Speaker" is just another name for "teacher"?
Politicians often have families and children. They're often mouthing off about family values and lamenting the lack of courtesy and respect in the community and in certain generations. Then they go and put on a great display in Question Time when they blast all that away.
OK, yes, sometimes it's funny, in the same way reality TV is funny, but basically it's also hypocritical, so if you really think about it, it's a matter of 'do as I say, not as I do' or mainly 'Yes, I lament the loss of certain things in our community and I believe that those values should be there in the community, but not for me, not at this time, because I'm privileged.'
That probably isn't an easy one to explain to some younger children and I would treat my Dad or Mum with quite a bit of contempt if I caught them at that contradiction. Maybe that's why Question Time is not on till quite late/early and isn't shown with kids' cartoons. Pollies' children cant' risk that their children might see it and ask 'awkward' questions.
Anyhow, honestly I wouldn't mind seeing Question Time being more civilised. I wonder what it would be like if people tried to conduct it in a more civilised manner. Would they have anything to say? I don't know that heckling adds that much to Question Time but is there much else to it and do they have much else? Maybe they would be stumped for words and end up walking out?
Most of the heckling seems to be name-calling, booing and yelling which seems quite inane to me, and childish, if there was some subtle mind and wordplay, clever humour and wit and interesting psychological manoeuvrings used, it would probably show some class. The fact that it seems to be "whose voice is louder" is a bit stupid. If they called it "REALITY TV: WHOSE VOICE IS LOUDER: WHO WILL LAST THE DISTANCE?" and played it with some judges' commentary over the top and a number to call for each politician, everyone would go on about how it was tacky and what a bunch of common no-talents they are. People probably still think that now, it's just the lack of a good phone no. and a catchy name and a "nasty judge" that keeps their mouths shut.
I wonder if they weren't heckling whether it's possible they would concentrate less on booing and trying to stave off booing, and more on trying to make intelligent, conscientious decisions about issues affecting the populace.
Or is that too much to ask?
Parents didn't always want to let their kids drink alcohol, preferring them to stay on the wholesome sugar-not-alcohol infused options as long as possible. At least it just kept you up all night watching cartoons and dancing rather than spewing in the toilet. You got fat rather than dizzy on overdoses of juice, Coca Cola, and really big home made chocolate milk shakes.
Anyhow, keeping them off the juice - I mean the alcohol, which for some reason is often nicknamed juice - for as long as possible, was desirable to many, but it also meant possibly getting put down by your kids.
Ms Dunlevy said that none wanted to experience the withering put down Frances Abbott gave her father, Tony Abbott:
“What would you know, you’re a lame, gay, churchie loser,” Frances Abbott told her Dad when he offered her some advice.
"Clearly she is a young woman who has learnt her parental handling skills from watching Question Time." - wrote Ms Dunlevy
There, I think, Ms Dunlevy has a good point. What the heck are pollies thinking at Question Time - except maybe a bit of nostalgia from school years when they got to call others name and brawl a lot. "Mr Speaker" is just another name for "teacher"?
Politicians often have families and children. They're often mouthing off about family values and lamenting the lack of courtesy and respect in the community and in certain generations. Then they go and put on a great display in Question Time when they blast all that away.
OK, yes, sometimes it's funny, in the same way reality TV is funny, but basically it's also hypocritical, so if you really think about it, it's a matter of 'do as I say, not as I do' or mainly 'Yes, I lament the loss of certain things in our community and I believe that those values should be there in the community, but not for me, not at this time, because I'm privileged.'
That probably isn't an easy one to explain to some younger children and I would treat my Dad or Mum with quite a bit of contempt if I caught them at that contradiction. Maybe that's why Question Time is not on till quite late/early and isn't shown with kids' cartoons. Pollies' children cant' risk that their children might see it and ask 'awkward' questions.
Anyhow, honestly I wouldn't mind seeing Question Time being more civilised. I wonder what it would be like if people tried to conduct it in a more civilised manner. Would they have anything to say? I don't know that heckling adds that much to Question Time but is there much else to it and do they have much else? Maybe they would be stumped for words and end up walking out?
Most of the heckling seems to be name-calling, booing and yelling which seems quite inane to me, and childish, if there was some subtle mind and wordplay, clever humour and wit and interesting psychological manoeuvrings used, it would probably show some class. The fact that it seems to be "whose voice is louder" is a bit stupid. If they called it "REALITY TV: WHOSE VOICE IS LOUDER: WHO WILL LAST THE DISTANCE?" and played it with some judges' commentary over the top and a number to call for each politician, everyone would go on about how it was tacky and what a bunch of common no-talents they are. People probably still think that now, it's just the lack of a good phone no. and a catchy name and a "nasty judge" that keeps their mouths shut.
I wonder if they weren't heckling whether it's possible they would concentrate less on booing and trying to stave off booing, and more on trying to make intelligent, conscientious decisions about issues affecting the populace.
Or is that too much to ask?
Labels:
current affairs,
family,
food + drink,
modern manners,
orange juice snobbery,
politics,
tv
Wednesday, 13 August 2008
The Asian Wants a Xenophobe
I read in the celebrity section of the Daily Tele that Pauline Hanson might be interested on getting on a dating reality TV show - and she likes the idea of The Farmer Wants A Wife.
That's a show where rural males are tried out with city ladies, and the city ladies are put through the hoops to see if they could manage a country life - things like sticking their hands up cow's bums and stuff. Maybe a man will look at a girl with her hand up a cow's bum and just say "That's the girl for me." I don't know, maybe lot's of country romances start out that way.
But I just don't think we're exploring Pauline's potential to the fullest. My concept for a show would be The Asian Wants A Xenophobe (or The Asian Wants Pauline).
Watch a host of Asian males with Pauline Hanson as the dubious prize. Watch Pauline vy for their attention - or at least their votes, and the males put her through various tests.
Pauline Hanson attempts to put her hand in a martial arts slice through 6 breadboards!
(if she psyches herself up to think they are Asian immigrants' faces, she may well get through this one!)
Pauline Hanson doing the lion dance!
Pauline Hanson having to order in a Vietnamese restaurant without once asking a waiter to "Please Explain" the menu.
I think this one's got legs. Bring it on!
That's a show where rural males are tried out with city ladies, and the city ladies are put through the hoops to see if they could manage a country life - things like sticking their hands up cow's bums and stuff. Maybe a man will look at a girl with her hand up a cow's bum and just say "That's the girl for me." I don't know, maybe lot's of country romances start out that way.
But I just don't think we're exploring Pauline's potential to the fullest. My concept for a show would be The Asian Wants A Xenophobe (or The Asian Wants Pauline).
Watch a host of Asian males with Pauline Hanson as the dubious prize. Watch Pauline vy for their attention - or at least their votes, and the males put her through various tests.
Pauline Hanson attempts to put her hand in a martial arts slice through 6 breadboards!
(if she psyches herself up to think they are Asian immigrants' faces, she may well get through this one!)
Pauline Hanson doing the lion dance!
Pauline Hanson having to order in a Vietnamese restaurant without once asking a waiter to "Please Explain" the menu.
I think this one's got legs. Bring it on!
Wednesday, 9 January 2008
Immigrant Idol!
I just hit on a fantastic idea, after reading a whole lot of stuff about how people are racist, when they really mean religionist.
Funny, that, when you read an article about Muslims in Australia there always seems to be some debate about racism when in fact we're talking about religionism. This article started off about whether or not there should be a Muslim school in Camden, and went on about whether there should be any Muslims in Australia at all and some talk about whether Muslims were an insidious group which was planning a hostile takeover of Australia.
One person who commented on this article suggested "Let's vote once and for all who we want in this country!"
And I thought - fantastic idea!
Should we do it on TV, or by internet? Internet could be faster, but TV would be flashier, and probably would be more attractive to the adman.
The Internet Concept
First of all, you'd pick a web host, like MyAussieImmigrationApplicationSpace. Immigrants could log in, and post their photo, and application, and a profile. Maybe a few youtube videos. Internet voting for applicants would be assessed - you would have to get a minimum number of votes in your favour from Aussie citizens, and more than a [certain percentage] than those in your disfavour.
I s'pose there's always the problem, just like on RSVP, of someone like Osama Bin Laden sticking up a hot 22 year old blonde's pic, but there are always risks with new concepts.
The TV Concept
The TV Concept is a far more drawn out concept, but would just make the process more selective. I'm sure all the mobile phone companies would love it. Immigrants would be lining the streets to get into the final twelve, and go through weeks of agony, performing tasks, songs, dancing to prove their worth as Aussies, and face the whiplash remarks of the judges. "You throw a prawn on a barbie like a girl!" "Oh sorry - you are a girl - I can never figure it out with those Afro haircuts" "Your Neighbours trivia SUX!"
The government would be forced to back the people's Immigrant Idol - but only for the length of his/her visa. After which the choice could be made to drop the Idol or renew the contract, depending on whether they'd made good their contribution and were a viable asset.
I like it already!
Funny, that, when you read an article about Muslims in Australia there always seems to be some debate about racism when in fact we're talking about religionism. This article started off about whether or not there should be a Muslim school in Camden, and went on about whether there should be any Muslims in Australia at all and some talk about whether Muslims were an insidious group which was planning a hostile takeover of Australia.
One person who commented on this article suggested "Let's vote once and for all who we want in this country!"
And I thought - fantastic idea!
Should we do it on TV, or by internet? Internet could be faster, but TV would be flashier, and probably would be more attractive to the adman.
The Internet Concept
First of all, you'd pick a web host, like MyAussieImmigrationApplicationSpace. Immigrants could log in, and post their photo, and application, and a profile. Maybe a few youtube videos. Internet voting for applicants would be assessed - you would have to get a minimum number of votes in your favour from Aussie citizens, and more than a [certain percentage] than those in your disfavour.
I s'pose there's always the problem, just like on RSVP, of someone like Osama Bin Laden sticking up a hot 22 year old blonde's pic, but there are always risks with new concepts.
The TV Concept
The TV Concept is a far more drawn out concept, but would just make the process more selective. I'm sure all the mobile phone companies would love it. Immigrants would be lining the streets to get into the final twelve, and go through weeks of agony, performing tasks, songs, dancing to prove their worth as Aussies, and face the whiplash remarks of the judges. "You throw a prawn on a barbie like a girl!" "Oh sorry - you are a girl - I can never figure it out with those Afro haircuts" "Your Neighbours trivia SUX!"
The government would be forced to back the people's Immigrant Idol - but only for the length of his/her visa. After which the choice could be made to drop the Idol or renew the contract, depending on whether they'd made good their contribution and were a viable asset.
I like it already!
Labels:
innovations + trinkets,
multiculturalism,
politics,
technology,
tv
Friday, 9 March 2007
9 is not WINning
For some reason, in the heart of the city, you can receive the regional Channel 9 station, WIN, more clearly than Channel 9 itself, which comes out rather fuzzily, and makes you see double in some places.
I attempted to tune into "Temptation" just the other night to see fellow blogger Lexicon Harlot, and also to claim that I know someone who has a popular blog and is a TV star, two things I don't have. Woo hoo! (She now also has lots of things I don't have, like a plasma TV, a DVD player, a telescope and some Alannah Hill clothing, and fame for outing herself as a Bert Newton fan on national TV. But I digress.)
WIN clearly advertised "Temptation" for 7pm, and then proceeded to show the news all the while it promised to show 'Lexi being tempted with prizes and reminding us all that the answers are 'Cupid' and 'personal computer' even though I've forgotten the questions. So I ended up watching a rather fuzzy version of her on 9, and seeing bits of "Temptation" in double, not that this is a bad thing.
Anyway, I would like to say now - what was so newsworthy - what COULD be so newsworthy in regional NSW that it would interrupt the joys of showing our blogger Lexicon Harlot on TV? I think it's a travesty. I cancelled my nostril-picking session just for this, and this is the thanks I receive?
I attempted to tune into "Temptation" just the other night to see fellow blogger Lexicon Harlot, and also to claim that I know someone who has a popular blog and is a TV star, two things I don't have. Woo hoo! (She now also has lots of things I don't have, like a plasma TV, a DVD player, a telescope and some Alannah Hill clothing, and fame for outing herself as a Bert Newton fan on national TV. But I digress.)
WIN clearly advertised "Temptation" for 7pm, and then proceeded to show the news all the while it promised to show 'Lexi being tempted with prizes and reminding us all that the answers are 'Cupid' and 'personal computer' even though I've forgotten the questions. So I ended up watching a rather fuzzy version of her on 9, and seeing bits of "Temptation" in double, not that this is a bad thing.
Anyway, I would like to say now - what was so newsworthy - what COULD be so newsworthy in regional NSW that it would interrupt the joys of showing our blogger Lexicon Harlot on TV? I think it's a travesty. I cancelled my nostril-picking session just for this, and this is the thanks I receive?
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